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Review
"In Griselda Pollock's brilliantly-staged encounters between contemporary art and psychoanalysis, the aesthetic emerges as the space in which we can be responsive to the traces of trauma and live with its after-effects. Through incisive and carefully-articulated theoretical insights and reparative acts of close reading, Pollock offers us new ways of thinking about painful aftermaths as well as a new vocabulary for feminist visual studies." -- Marianne Hirsch, William Peterfield Trent Professor of English and Comparative Literature in the Institute for Research on Women, Gender and Sexuality at Columbia University
About the Author
Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the CentreCATH (Centre for Cultural Analysis, Theory and History at the University of Leeds).
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